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HUMAN = LANDSCAPE,
AESTHETICS OF A CARBON-CONSTRAINED FUTURE explores the
future of Vermont’s landscape as it grapples with the
aesthetic challenges of a carbon-constrained world. Posing
such questions as: how might an energy-sustainable, rural
landscape of the future look? What defines a landscape as
“beautiful” or “ugly”? How have notions of natural beauty
changed over time? Over 20 artists address these concerns on
five floors of Burlington City Arts’ Firehouse Center, in
City Hall Park and through a monumental installation of
1,000 light-generating windmills in the Vermont landscape.
With works that blur the distinction between artist,
architect, engineer and scientist, Human = Landscape acts as
a laboratory for re-imagining our future landscape while
inviting exhibition visitors to experience the spectacle and
potential of alternative energy.
As our most ambitious exhibition to date, the show includes
10 new commissions from John Anderson, Megan Bisbee-Durlam,
Ethan Bond-Watts, Arthur Chukhman, Jed Crystal, Cameron
Davis, Nancy Dwyer and Caroline Byrne, R. Elliott Katz, and
H. Keith Wagner. It is accompanied by a full color catalog
with essays contributed by author, Bill McKibben and Robert
Hull Fleming Museum Curator, Aimee Marcereau DeGalan. |
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| TECHNOLOGY PARK -
SCULPTURE PARK |
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Patrick Marold The Windmill Project is composed of 1,000
light-generating windmills. This vast installation maps the behavior
of wind and visualizes its invisible potential. From August 12
through November 16, gusts of wind will create spectacular displays
of bright pulsing waves of light along Vermont’s Interstate 89.
Hosted by South Burlington’s Technology Park.
Patrick Marold is a Colorado-based artist who attended Rhode
Island School of Design.
Click here for directions to the site. |
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H.
Keith Wagner, Alex Carver & Christopher North Microhouse
explores issues of radical self-sufficiency, low impact
mortgage-free lifestyles, and challenges our culture’s emphasis upon
trophy housing. An efficient, easily expandable 12’x12’
modular-design, this home was constructed for $4000 in materials.
The completed home will be on display in City Hall Park throughout
the exhibition.
H. Keith Wagner is a landscape architect and metal artist; Alex
Carver and Chris North are home builders. All are living and working
in
Vermont. |
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| FIREHOUSE CENTER FOR
THE VISUAL ARTS — FIRST FLOOR |
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Ethan
Bond-Watts
Solaneme, at 12 feet wide and eight feet
high, will dominate the front gallery. With a vortex of 50
hand-blown glass elements, Bond-Watts’s wind-powered kinetic
sculpture explores the spectacle of the natural forces of sun and
wind and their remarkable potential as a source of energy.
Ethan Bond-Watts is Burlington-based glassblower
and 2009 graduate of UVM’s environmental studies program. He has studied in Seattle and
Venice and recently completed a major sculpture commission for UVM’s
Davis Student Center. |
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John
Anderson Mirror Cube Landscape: photo-collages,
architectural models, and maps, document Anderson’s proposal to
place a 10 foot square mirrored cube in the geographic center of
each Vermont town. Reflecting their immediate environment, they
serve as a reminder of the potential effects of energy policy on the
natural and built topography.
John Anderson is an architect and artist living in Ferrisburgh,
Vermont and teaches at Norwich University. |
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Theo
Jansen Strandbeests are immense wind-powered kinetic
sculptures created from simple manufactured materials - PVC
electrical conduit, cable ties, and adhesive tape - and are
deceptively lifelike in appearance and motion. Designed to move and
even survive on their own, “feeding on wind and fleeing from water,”
Jansen refers to them as a new form of life.
Theo Jansen is a visual artist living in Holland, and studied
science at the University of Delft. |
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H.
Keith Wagner Lineage: over 20 feet long, this sculpture
creates a physical timeline of the history of Vermont’s changing
landscape. An iron I-beam filled with rock, asphalt, soil, and
living grass, documents the evolving uses and transformations that
our natural environment has been subjected to over the 400 years of
European settlement.
H. Keith Wagner is a landscape architect and metal artist living
in Vermont and has received awards for landscape design from the
American Society of Landscape Architects, the American Institute of
Architects, and the Vermont Planning Association. |
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Rebecca Schwarz Inner View playfully explores our habits
of consumption. This work fuses solar technology and organic forms,
which respond directly to fluctuating intensity of solar energy.
Solar cells, hand woven wire and color shifting L.E.D.s are combined
to reference pervasive repeated patterns in nature.
Rebecca Schwarz received her BFA in sculpture from the Rhode
Island School of Design and her MFA from Goddard College. |
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R.
Elliott Katz Valvoline Portraits: dozens of plaster-cast
motor oil containers housing sculpture relief portraits evoke the
emotional and politically charged landscape of petroleum production.
Katz probes the subtle interconnections between a developed world
and its dependence on limited energy resources.
R.Elliott Katz is a Vermont sculptor, attended Colby College
Maine, is manager of the Seven Below Artist In Residence Initiative,
and recently exhibited at Mass MoCA in Massachusetts. |
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Tom
Hansell Sun Buggy is an all-terrain solar-powered video
display, which presents films about electricity production and the
lives of workers in the Appalachian coalfields of the artist’s
native North Carolina.
Tom Hansell is a filmmaker and MFA student at Goddard College in
Vermont. His documentary Coal Bucket Outlaw was broadcast on PBS
stations nation-wide and is in the MOMA’s documentary fortnight
series. |
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Nancy
Dwyer & Caroline Byrne SU01.13600R combines recycled
Styrofoam packing materials with quilting and upholstering
techniques to re-imagine the interior landscape of the future.
Vermont artists Dwyer and Byrne envision a petroleum-parched world
where humble packing materials have become precious and are lovingly
re-crafted as furniture.
Nancy Dwyer teaches sculpture at the University of Vermont and
Caroline Byrne is a textile artist in Winooski, Vermont. |
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Megan
Bisbee-Durlam A Landscape of Enough is a whimsical
re-creation of Vermont’s environment in miniature, using found and
recycled materials: paper, toothpicks, and play-dough. Bisbee-Durlam’s
vibrant and obsessively detailed work explores concepts of our
culture of consumption: “true abundance,” and when “too much becomes
enough” in Vermont’s evolving landscape.
Megan Bisbee-Durlam grew up in Vermont. She received her Bachelor
of Fine Art from Alfred University in 2005, and currently lives in
Japan. |
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| FIREHOUSE CENTER FOR
THE VISUAL ARTS — SECOND FLOOR |
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Jean-Pierre Roy Landmarks: these four large-scale
paintings conjure images of a world devastated by an unspecified
natural disaster. Roy is a former film industry matte artist. His
apocalyptic dystopias reinterpret the classical meaning of “the
sublime” as a terrifying spectacle in the face of God’s wrath with a
post-Hollywood sensibility.
Jean-Pierre Roy lives in New York City and teaches at Parsons. |
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Christopher Mir
Second Sight combines three dream-like paintings of
worlds populated with mythic figures, within idealized landscapes.
Mir creates unsettling juxtapositions between the primal and the
futuristic, suggesting an end of civilization and resurgent natural
world populated by wanderers and outcasts struggling for survival.
Christopher Mir attended Marlboro College in Vermont and
currently lives and works in Hamden, Connecticut. |
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Arthur Chukhman
Amenity Infrastructure envisions the effect of
alternative energy generation on the urban landscape, instead of
limiting it to rural locations. This project proposes a windwall
composed of numerous small turbines for Burlington’s Waterfront
Park. Chukhman, Kelly DesRoches, and Wayne Nelson consider the
aesthetics of integration with this recreational area, and the
conservation possibilities of existing city infrastructure.
Arthur Chukhman and Kelly DesRoches are architects at SAS Architects in Burlington, Vermont, and Wayne Nelson is a mechanical
engineer in Winooski, Vermont. |
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Guy
Roberts
Anaerobic Digester is a 60-foot long and six-foot wide tool for
converting cow manure from small dairy farms into electricity.
Producing enough surplus power for dozens of homes, it controls
odors and produces high-quality fertilizer while trapping harmful
naturally occurring greenhouse gases. Inventor Guy Roberts hopes to
see a manure digester on every manure-producing farm in Vermont and
beyond.
Guy Roberts, Ph.D., is Chief Science Officer of South
Burlington-based Avatar Systems and operates a functioning
demonstration Anaerobic Digester in Shelburne, Vermont. |
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Cameron Davis
Dear World Project: on October 24th, with the bells of UVM’s Ira Allen Chapel, and the Firehouse’s bell towers chiming in
unison 350 times, a host will march from the UVM campus to City Hall
Park, handing out artwork with information about 350.org’s efforts
to advocate for a fair global climate treaty.
Cameron Davis teaches at the University of Vermont in both the
Art and Environmental programs.
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Jed
Crystal
The Personal Energy Porter illustrates one possible
futuristic turn; when electricity becomes the paramount attention of
our daily lives. This device is worn on the body, much like a yoke,
and integrates the functions of physically carrying and protecting
our personal energy stores, and the aesthetics of an active,
20-something individual of the not-too-distant future.
Jed Crystal is a Burlington-based industrial designer, a UVM
graduate with a Master of Industrial Design degree from Pratt
Institute, and is principle of Hepper™ which makes modern pet furniture. |
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Andrea Polli
Queensbridge Wind Power presents an artist’s vision of a
future when meeting energy production needs can actually enhance the
beauty of a city. In this computer-generated video, Polli
investigates how clean, renewable wind power might be integrated
into the landmark architecture of the Queensboro Bridge, and the
role of alternative energy in an urban setting. (video)
Andrea Polli is a digital media artist living in New Mexico. Her
work addresses issues related to science and technology in
contemporary society. She teaches at the University of a New Mexico. |
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Ted
Montgomery
Hale Hibiscus Project is a net zero energy dwelling inspired by
yellow hibiscus, and an environmentally conscious housing design for
tropical and sub-tropical climates. Operating solely on the
renewable resources provided by the sun, wind and rain, and it
requires no off-site power, fuel, or water sources.
Ted Montgomery is an architect, and founder of the Ten Stones
intentional living community in Charlotte, Vermont. |
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| FIREHOUSE CENTER FOR
THE VISUAL ARTS — THIRD FLOOR |
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Weskey Bascom and Brian Whitney Aiken Solarium: this
design for a future solarium at the University of Vermont focuses on
water and “ecoventions”-sculptures to showcase different
eco-friendly components of the building. Exposing the roots of the
plants on the green roof of the structure, Bascom and Whitney blur
the line distinguishing where nature ends and the indoor space
begins.
Wesley Bascom and Brian Whitney are students at the University of
Vermont. |
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| FIREHOUSE CENTER FOR
THE VISUAL ARTS — FOURTH FLOOR |
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Alex
S. Maclean Over, The American Landscape at the Tipping
Point is visually breathtaking and sobering. MacLean’s aerial
photography captures the evolution of the American landscape and the
complex relationship between its natural and constructed
environments. These images visualize our culture’s excessive use of
resources and energy, including large-scale luxury housing
developments, massive cooling lagoons of nuclear power plants and
gasoline refineries in Texas.
Alex Maclean is a pilot and photographer, who has authored seven
books of aerial photography. He has exhibited in the United States,
Canada, Europe and Asia. MacLean lives in Lincoln, Massachusetts. |
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| FIREHOUSE CENTER FOR
THE VISUAL ARTS — LOWER LEVEL |
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Gary
R. Hall Winooski River #7: Hall’s contemporary
monochrome landscape photography examines our notions of pastoral
beauty, capturing a preternatural image of the Vermont landscape.
Combining classical composition with digital darkroom techniques,
these strikingly luminescent ink-jet prints create an idealized
nature verging on the uncanny.
Gary R. Hall is an architectural and fine art photographer based
in South Burlington, Vermont. |
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